帮助 关于我们

返回检索结果

音乐文化经验对音乐情绪加工的影响
Effects of musical cultural experience on music emotion processing

查看参考文献99篇

马谐 1   杨玉芳 2 *   陶云 3   曹阳 2  
文摘 音乐是人类情绪情感交流的重要媒介, 音乐对情绪的影响既可能源于生物体的适应机制, 也可能源于音乐文化经验知识作用下的认知建构, 研究重点在于讨论不同条件下音乐文化经验的作用机制和作用权重. 本文分别从音乐情绪感知、音乐情绪体验和音乐偏好3个层面梳理了已有研究对音乐文化经验效应机制的理论解释, 并列举和评述了相关实验例证. 已有研究认为, 在音乐情绪感知层面, 音乐文化经验的影响主要取决于音乐作品用于表达情绪的音乐线索特征; 在音乐情绪体验层面, 音乐文化经验的影响效应主要取决于激活的情绪诱发机制; 在音乐偏好层面, 音乐文化经验是音乐偏好产生的基础. 未来研究需要在界定音乐文化经验, 选取音乐线索和测评情绪效应等多个方面进行思考和推进, 才能更好地揭示音乐文化经验在音乐情绪情感交流中的本质作用.
其他语种文摘 Music is an important medium of emotional communication for human beings. To what extent people's understanding of musical emotion and feelings is dependent on the musical cultural experience has been an important scientific issue. Music has biological significance and it also has cultural meaning. The biological perspective views the relationship between music and emotion as one related to the existence and development of an individual adaptation mechanism, and the musical effect on the emotions has a cultural universality. The cultural view thinks that the foundation of the relationship between music and emotions is the cognitive structure underlying the action of the musical pattern, and music's emotional effect has cultural specificity. At present, these two approaches have been shown to have parallel relationships, and research is focused on discussion of the functional weight and mechanism of the musical cultural experience under different conditions. This paper will comb the current research on the musical cultural experience mechanism theory as well as review and list the related experimental examples based on the musical emotional perception, emotional experience, and musical preference. Musical emotional perception refers to the capacities and abilities to recognize and identify the emotions in music. On the level of the musical emotional perception, related theories think that the effect of the musical culture experience mainly depends on the clues which are used to express emotions in musical works and performances. During the process of listening to the music that utilizes psychophysical cues, the effect of the musical culture experience is smaller while the effect is bigger when listening to music using culturally specific clues. The musical emotional experience focuses in particular on the emotions aroused by the music, which are usually inferred based on a combination of verbal self-reports, physiological responses, and emotional expressions. In terms of the musical emotional experience, the relevant theory thinks the dependence depth of the cultural experience mainly relies on the mood induced mechanism of the musical activation. The influence of the musical culture experience on the three types of mechanism in the brain stem reflexes, rhythmic entrainment, and emotional contagion is small, but in terms of the evaluative conditioning, visual imagery, episodic memory, musical expectancy, and aesthetic judgment, it plays an important role. Musical preference refers to more long-term affective evaluations of music. In consideration of musical preferences, the relevant theory thinks that the musical culture experience in the production of musical preference in general plays a very important role in the production conditions of musical preference due to“familiarity”, which is based on the characteristics of internal relevant music events. Future research needs to consider and promote the definition of the music cultural experience, musical clues selection, evaluation of the emotional effect, and so on, which can better reveal the function of the musical culture experience in relation to the musical emotional communication. Exploring the internal mechanism of how music affects people's moods will help to shed light on the features of the advanced cognitive wisdom of humans. At the same time, it will have important clinical significance.
来源 科学通报 ,2017,62(20):2287-2300 【核心库】
DOI 10.1360/N972017-00340
关键词 音乐 ; 音乐文化经验 ; 音乐情绪感知 ; 音乐情绪体验 ; 音乐偏好
地址

1. 中国科学院心理研究所, 民族教育信息化教育部重点实验室, 北京, 100101  

2. 中国科学院心理研究所, 北京, 100101  

3. 云南师范大学教育科学与管理学院, 民族教育信息化教育部重点实验室, 昆明, 650000

语种 中文
文献类型 研究性论文
ISSN 0023-074X
基金 国家自然科学基金
文献收藏号 CSCD:6041532

参考文献 共 99 共5页

1.  Huron D. Affect induction through musical sounds: An ethological perspective. Philos T R Soc B,2015,370:20140088 被引 1    
2.  Juslin P N. Are musical emotions invariant across cultures?. Emot Rev,2012,4:283-284 被引 1    
3.  Perlovsky L. Music, cognitive function, origin, and evolution of musical emotions. Music Sci,2012,16:185-199 被引 1    
4.  Thompson W F. Cross-cultural similarities and differences (Music and Emotion). Handbook of Music and Emotion: Theory, Research,2010 被引 2    
5.  Cross I. The evolution of music: Theories, definitions and the nature of the evidence. Commun Music,2010:348-355 被引 1    
6.  Trehub S E. Cross-cultural perspectives on music and musicality. Philos T R Soc B,2015,370:20140096 被引 3    
7.  Schoeller F. Aesthetic chills: Knowledge-acquisition, meaning-making, and aesthetic emotions. Front Psychol,2016,7:1093 被引 1    
8.  Higgins K M. Biology and culture in musical emotions. Emot Rev,2012,4:273-282 被引 1    
9.  Juslin P N. From everyday emotions to aesthetic emotions: Towards a unified theory of musical emotions. Phys Life Rev,2013,10:235 被引 5    
10.  Matsumoto D. Culture and emotion: The integration of biological and cultural contributions. J Cross Cult Psychol,2012,43:91-118 被引 2    
11.  Wong P C. The bimusical brain is not two monomusical brains in one: Evidence from musical affective processing. J Cogn Neurosci,2011,23:4082-4093 被引 1    
12.  Swaminathan S. Current emotion research in music psychology. Emot Rev,2015,7:189-197 被引 2    
13.  Juslin P N. Emotional responses to music: The need to consider underlying mechanisms. Behav Brain Sci,2008,31:559 被引 10    
14.  Juslin P N. 15-music and emotion. Psychol Music,2013,29:583-645 被引 1    
15.  Juslin P N. Musical, expression of, emotions: Modelling, listeners' judgements of composed and, performed, features. Music Anal,2010,29:334-364 被引 1    
16.  Gabrielsson A. The role of structure in the musical expression of emotions. Am J Vet Res,2010,13:367-400 被引 1    
17.  Tervaniemi M. Auditory profiles of classical, jazz, and rock musicians: Genre-specific sensitivity to musical sound features. Front Psychol,2015,6:1900 被引 1    
18.  Quinto L. The contributions of compositional structure and performance expression to the communication of emotion in music. Psychol Music,2014,42:503-524 被引 1    
19.  Balkwill L L. A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues. Music Percept,1999,17:43-64 被引 5    
20.  Laukka P. Universal and culture-specific factors in the recognition and performance of musical affect expressions. Emotion,2013,13:434-449 被引 2    
引证文献 1

1 孟乐 维吾尔族大学生的音乐感知和音乐情绪加工优势:音乐曝光和音乐文化经验的濡化作用 中国临床心理学杂志,2022,30(2):241-249
被引 1

显示所有1篇文献

论文科学数据集
PlumX Metrics
相关文献

 作者相关
 关键词相关
 参考文献相关

版权所有 ©2008 中国科学院文献情报中心 制作维护:中国科学院文献情报中心
地址:北京中关村北四环西路33号 邮政编码:100190 联系电话:(010)82627496 E-mail:cscd@mail.las.ac.cn 京ICP备05002861号-4 | 京公网安备11010802043238号